What equipment did film photographers obsess over?











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I found a box of old camera stuff in my in-law's house while helping them move and it got me thinking, "what equipment did film photographers obsess over back in the day?"



For example, with modern day digital photography, the sensor seems to be the most expensive and most sensitive part of the camera body. Keeping it clean and safe is critical to good photos. There are countless articles and how-to's online for cleaning, maintaining and preventing damage to the sensor. However, with a film camera, the imaging surface is not a majorly expensive part of the system. Scratching the film would ruin your photo but it wouldn't ruin your camera body.



So what do you think, what equipment and maintenance questions do you think would fill up the forums back in the day?










share|improve this question


















  • 2




    What does "back in the day" mean? Film photography has been around for a long time - for example, the V&A Museum in London began acquiring photographs in 1852 - and photographic technology advanced a lot over that time. The last generation of autofocus SLRs were quite fancy electronic gadgets. I still shoot film.
    – osullic
    Nov 21 at 22:40








  • 4




    Photo.net was launched in 1993. I think all of its old content is still online (although it did have some forum areas intended for more casual chat that would only last a few days before deletion). You can search around there to see what folks were asking about in the 90s. Although, as far as I remember, the most common question was: Which is better - Canon or Nikon?
    – osullic
    Nov 21 at 22:45












  • Actually you invest a lot more in lenses than in camera bodies. And bodies become obsolete a lot faster than lenses.
    – xenoid
    Nov 21 at 22:48






  • 1




    @Criggie you can pry my camalots from my cold dead hands. ;-)
    – Hueco
    Nov 22 at 19:50






  • 1




    @Criggie don't forget woodworking and musicians
    – osullic
    Nov 22 at 22:26















up vote
7
down vote

favorite












I found a box of old camera stuff in my in-law's house while helping them move and it got me thinking, "what equipment did film photographers obsess over back in the day?"



For example, with modern day digital photography, the sensor seems to be the most expensive and most sensitive part of the camera body. Keeping it clean and safe is critical to good photos. There are countless articles and how-to's online for cleaning, maintaining and preventing damage to the sensor. However, with a film camera, the imaging surface is not a majorly expensive part of the system. Scratching the film would ruin your photo but it wouldn't ruin your camera body.



So what do you think, what equipment and maintenance questions do you think would fill up the forums back in the day?










share|improve this question


















  • 2




    What does "back in the day" mean? Film photography has been around for a long time - for example, the V&A Museum in London began acquiring photographs in 1852 - and photographic technology advanced a lot over that time. The last generation of autofocus SLRs were quite fancy electronic gadgets. I still shoot film.
    – osullic
    Nov 21 at 22:40








  • 4




    Photo.net was launched in 1993. I think all of its old content is still online (although it did have some forum areas intended for more casual chat that would only last a few days before deletion). You can search around there to see what folks were asking about in the 90s. Although, as far as I remember, the most common question was: Which is better - Canon or Nikon?
    – osullic
    Nov 21 at 22:45












  • Actually you invest a lot more in lenses than in camera bodies. And bodies become obsolete a lot faster than lenses.
    – xenoid
    Nov 21 at 22:48






  • 1




    @Criggie you can pry my camalots from my cold dead hands. ;-)
    – Hueco
    Nov 22 at 19:50






  • 1




    @Criggie don't forget woodworking and musicians
    – osullic
    Nov 22 at 22:26













up vote
7
down vote

favorite









up vote
7
down vote

favorite











I found a box of old camera stuff in my in-law's house while helping them move and it got me thinking, "what equipment did film photographers obsess over back in the day?"



For example, with modern day digital photography, the sensor seems to be the most expensive and most sensitive part of the camera body. Keeping it clean and safe is critical to good photos. There are countless articles and how-to's online for cleaning, maintaining and preventing damage to the sensor. However, with a film camera, the imaging surface is not a majorly expensive part of the system. Scratching the film would ruin your photo but it wouldn't ruin your camera body.



So what do you think, what equipment and maintenance questions do you think would fill up the forums back in the day?










share|improve this question













I found a box of old camera stuff in my in-law's house while helping them move and it got me thinking, "what equipment did film photographers obsess over back in the day?"



For example, with modern day digital photography, the sensor seems to be the most expensive and most sensitive part of the camera body. Keeping it clean and safe is critical to good photos. There are countless articles and how-to's online for cleaning, maintaining and preventing damage to the sensor. However, with a film camera, the imaging surface is not a majorly expensive part of the system. Scratching the film would ruin your photo but it wouldn't ruin your camera body.



So what do you think, what equipment and maintenance questions do you think would fill up the forums back in the day?







film digital digital-vs-film






share|improve this question













share|improve this question











share|improve this question




share|improve this question










asked Nov 21 at 21:59









tmwaddel

1815




1815








  • 2




    What does "back in the day" mean? Film photography has been around for a long time - for example, the V&A Museum in London began acquiring photographs in 1852 - and photographic technology advanced a lot over that time. The last generation of autofocus SLRs were quite fancy electronic gadgets. I still shoot film.
    – osullic
    Nov 21 at 22:40








  • 4




    Photo.net was launched in 1993. I think all of its old content is still online (although it did have some forum areas intended for more casual chat that would only last a few days before deletion). You can search around there to see what folks were asking about in the 90s. Although, as far as I remember, the most common question was: Which is better - Canon or Nikon?
    – osullic
    Nov 21 at 22:45












  • Actually you invest a lot more in lenses than in camera bodies. And bodies become obsolete a lot faster than lenses.
    – xenoid
    Nov 21 at 22:48






  • 1




    @Criggie you can pry my camalots from my cold dead hands. ;-)
    – Hueco
    Nov 22 at 19:50






  • 1




    @Criggie don't forget woodworking and musicians
    – osullic
    Nov 22 at 22:26














  • 2




    What does "back in the day" mean? Film photography has been around for a long time - for example, the V&A Museum in London began acquiring photographs in 1852 - and photographic technology advanced a lot over that time. The last generation of autofocus SLRs were quite fancy electronic gadgets. I still shoot film.
    – osullic
    Nov 21 at 22:40








  • 4




    Photo.net was launched in 1993. I think all of its old content is still online (although it did have some forum areas intended for more casual chat that would only last a few days before deletion). You can search around there to see what folks were asking about in the 90s. Although, as far as I remember, the most common question was: Which is better - Canon or Nikon?
    – osullic
    Nov 21 at 22:45












  • Actually you invest a lot more in lenses than in camera bodies. And bodies become obsolete a lot faster than lenses.
    – xenoid
    Nov 21 at 22:48






  • 1




    @Criggie you can pry my camalots from my cold dead hands. ;-)
    – Hueco
    Nov 22 at 19:50






  • 1




    @Criggie don't forget woodworking and musicians
    – osullic
    Nov 22 at 22:26








2




2




What does "back in the day" mean? Film photography has been around for a long time - for example, the V&A Museum in London began acquiring photographs in 1852 - and photographic technology advanced a lot over that time. The last generation of autofocus SLRs were quite fancy electronic gadgets. I still shoot film.
– osullic
Nov 21 at 22:40






What does "back in the day" mean? Film photography has been around for a long time - for example, the V&A Museum in London began acquiring photographs in 1852 - and photographic technology advanced a lot over that time. The last generation of autofocus SLRs were quite fancy electronic gadgets. I still shoot film.
– osullic
Nov 21 at 22:40






4




4




Photo.net was launched in 1993. I think all of its old content is still online (although it did have some forum areas intended for more casual chat that would only last a few days before deletion). You can search around there to see what folks were asking about in the 90s. Although, as far as I remember, the most common question was: Which is better - Canon or Nikon?
– osullic
Nov 21 at 22:45






Photo.net was launched in 1993. I think all of its old content is still online (although it did have some forum areas intended for more casual chat that would only last a few days before deletion). You can search around there to see what folks were asking about in the 90s. Although, as far as I remember, the most common question was: Which is better - Canon or Nikon?
– osullic
Nov 21 at 22:45














Actually you invest a lot more in lenses than in camera bodies. And bodies become obsolete a lot faster than lenses.
– xenoid
Nov 21 at 22:48




Actually you invest a lot more in lenses than in camera bodies. And bodies become obsolete a lot faster than lenses.
– xenoid
Nov 21 at 22:48




1




1




@Criggie you can pry my camalots from my cold dead hands. ;-)
– Hueco
Nov 22 at 19:50




@Criggie you can pry my camalots from my cold dead hands. ;-)
– Hueco
Nov 22 at 19:50




1




1




@Criggie don't forget woodworking and musicians
– osullic
Nov 22 at 22:26




@Criggie don't forget woodworking and musicians
– osullic
Nov 22 at 22:26










5 Answers
5






active

oldest

votes

















up vote
12
down vote













Oh, goodness — everything. Film, camera, lenses, lighting, style, fashions and trends, whether or not photography is art, everything we see today. But the "forums" were... more literal forums — people getting together in person to discuss in photography and camera clubs. And, instead of the blogosphere of today, so many periodicals. To get a taste, do a Google Books search for "photography" in the 19th century. This will return some scanned and digitized annual collections of these journals. Of course, you can also choose later dates, but I think it's interesting to go back... basically to the beginning. Browse through though those, and you will see that the more things change, the more they stay the same!



For a quick sample, here's the index o The American Annual of Photography, 1887:




  • Abnormal Chloride of Silver.

  • A Cry for Simplicity.


  • Alum in the Hypo Bath.


  • "Amateurs," "Professionals," or "Photographers."

  • Argentometer for Controlling Silver Baths.

  • A Talk to Beginners.

  • The Origin of Blisters in Albumen Prints

  • About Bromide Paper

  • A Home-made Tourist Camera and a New Tripod-head

  • Carbonate of Soda Development for Platinotypes.

  • Collodion Emulsion.

  • Colored Screens in Out-door Photography.

  • Composition in Landscape Photography.

  • _ A Convenient Carrying-box._

  • A Copying and Enlarging Closet.

  • Dark-rooms.

  • Dark-rooms for Photographic Clubs.

  • The Detective Camera for Newspaper Photography.

  • Detective Cameras.

  • The "Detective" for Artists.

  • A Convenient Developer for Travelers.

  • A New Developer


  • A New Developer (Second article)

  • Does it Pay?

  • Durable Sensitized Albumen Paper.

  • Drying Negatives Quickly.

  • Enlarging and Reducing with Ordinary Camera.

  • The "Equivalent Focus" Not a Constant.

  • Figure, Landscape, and Combination Printing.

  • Focal Adjustment in Detective Cameras.

  • Focusing.

  • Frills and Blisters.

  • Genre Photography.

  • Heliogravure and Galvanography.

  • High or Low Art.

  • Hypo in the Developer.

  • A Method of Ink Transfer.

  • Iodide of Silver in Gelatino-bromide of Silver Emulsion.

  • "It's no Jist Ready Yet."

  • Japanese Paper for Photographers.

  • Lantern Slides and Transparencies.

  • Large Telescopes for Celestial Photography.

  • Magnesium Light Experiments.

  • Marine Shots.

  • Memoranda from My Reading and Practice.

  • Mixing an Emulsion with Ammonia.

  • Mounting Silver Prints in Optical Contact with Glass, and Ornamental Borders.

  • Musings by the Way.


  • My Dark-room Window.

  • "My" Developer.

  • Objectives for Photo-micrography.

  • Observations.

  • Odds and Ends.

  • Old Friend, Keep Young.

  • On the Character of Optical Glass.

  • On the So-called Optical Sensitizers.

  • Orthochromatic Photography of Paintings.

  • Orthochromatic Plates, Experiments with.

  • Over-Exposure and the Means to Correct It.

  • Photo-copper-plate Printing and Steel-facing of Etched Copper-plates.

  • Photographic Chips.

  • Photographing in Japan.

  • Photographing in the Arctic.

  • Photographing Machinery.

  • Photography by Lamplight.

  • Photography in the Navy.

  • On the Photography of Solar Eclipses.

  • A Simple Arrangement for the Production of Photo-micrographs.

  • Portraits in Imitation of Old Paintings.

  • Practical Hints on Obernetter's Method of Copying Negatives.

  • Preparation of Photographic Gun-cotton, On the.

  • Printing, Suggestions on.

  • Reproducing Architectural Drawings.

  • Results.

  • Retouching Gelatine Negatives with Red Chalk and Black Crayon.

  • [Editor's] Review of the Year.

  • Reversing the Print.


  • Silver Printing.—An Amateur's Experience.

  • An Amateur's Routine of Silver Printing.

  • A Simple Time and Instantaneous Shutter.

  • Some Thoughts of an Amateur.

  • A Home-made Stereopticon Outfit

  • Stereoscooic Pictures.

  • Tannin Plates for Lantern Slides.

  • Temporary Binding for Photographic Journals.

  • Theatre Photography by Electric Light.

  • The Elimination of Heat from Condensed Light.

  • The Lightning Photographer: A Sketch of the Future.

  • The Undeveloped Side of Photography.

  • Why Study Art?


I do kind of have to question your premise, though. I don't think sensors are an overriding obsession — on this site, we get at least as much worry about lenses and other gear too. Just like the above. There really wasn't one main thing then, just as there isn't now. That's actually part of the fun and appeal of the hobby — there are obsessions available for everyone, from deeply technical to highly philosophical.






share|improve this answer























  • Awesome resources! That's so interesting. It seems like there was a lot more interest in process. As far as sensors go, I've not seen it here, just on other sites it seems like that is a big concern for a lot of people. It was just an example of something I thought would be a good comparison.
    – tmwaddel
    Nov 21 at 22:40








  • 2




    @pipe I give a general list and then a sample of the kind of things photographers were "blogging" about 150 years ago. Shrug!
    – mattdm
    Nov 22 at 13:28










  • @pipe I added a concluding sentence spelling out my point. Does that help?
    – mattdm
    Nov 22 at 19:16










  • @mattdm Yep, it does
    – pipe
    Nov 22 at 19:47


















up vote
8
down vote













Simple. Film shooter obsessed over...wait for it...film.



How different emulsions captured the same scene, which could be push or pulled, which reacted well to stand development and how each reacted to a different developer. Darkroom techniques. These types of questions are still a hot topic on film discussion sites.



With film, the camera is quite literally just a tool to get the light to the medium. A lot of work takes place after that capture. The same can't really be said about digital because you do marry a sensor and it's behind the scenes technology.






share|improve this answer





















  • That makes perfect sense. I had very little time in the darkroom when I first started photography. I'd guess that people spend many hours developing a process that meets their own artistic style.
    – tmwaddel
    Nov 22 at 0:13










  • @tmwaddel hours? Maybe weeks or months for those that find something and stick with it. But for the experimental types, try a lifetime. I've shot a ton of black and white in 35mm, pushed and pulled it and played with developers. Moving to 120 was like starting completely over. Same with 4x5. Combinations I had previously disliked are now par for the course, so to speak.
    – Hueco
    Nov 22 at 19:48


















up vote
5
down vote













Online forums (even Web-based, and before that BBS/FIDO/Usenet) were already well developed before mass acceptance of digital photography.



From the memory, popular subjects included:




  • lens: fast/tele/portrait/tilt-and-shift; Canon vs Nikon vs Pentax vs ... That still goes on with little change

  • filters. That also goes on, but in B/W photography filters played a special role, and to get correct white balance you also had to use a filter

  • film: B/W vs negative color film vs transparency color films. Color representation (mostly for transparency: vivid vs truthful colours), best grain shape (mostly B/W), sensitivity vs quality...

  • film size. Just as in digital we have full-frame and cropped, in film there are traditional 35 mm, medium format, large format, and a few sub-35 mm formats

  • general body quality. Ease of use, robustness, dust protection.

  • various features. Autofocus modes, exposure measurement: single-spot, full frame, weighted, smart... Top shutter speed and continuous shooting were more complicated than in digital photography, so they were also subjects of debates

  • camera types. Most professionals used SLRs, but rangefinders (e.g. Leica) were preferred by some, and there were more exotic types, like TLR, stereo cameras, etc.

  • film processing and printing: both at labs and at home

  • Canon vs Nikon vs Pentax vs Minolta, obviously

  • exotic stuff like pinhole photography, Lomography, IR

  • why digital cameras will never replace film.


Oh, and any instance of "was/were" above may safely be translated to "is/are", just in much lower numbers :)






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  • so... same as it ever was, basically? =)
    – scottbb
    Nov 22 at 3:50










  • Oh yes, that was a very common one! Digital vs film.
    – osullic
    Nov 22 at 9:48


















up vote
0
down vote













Google Groups has a searchable Usenet archive going back to 1995, so you can see what people were talking about in rec.photo.equipment on Nov. 23, 1995. It's largely the same list of things that people ask about today: cameras, lenses, filters, troubleshooting, etc.






share|improve this answer




























    up vote
    0
    down vote













    Pretty much all of it (the equipment, that is.) As it is today, anything to avoid having to think about composition or seeing and shaping light.






    share|improve this answer





















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      5 Answers
      5






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      5 Answers
      5






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      active

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      active

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      up vote
      12
      down vote













      Oh, goodness — everything. Film, camera, lenses, lighting, style, fashions and trends, whether or not photography is art, everything we see today. But the "forums" were... more literal forums — people getting together in person to discuss in photography and camera clubs. And, instead of the blogosphere of today, so many periodicals. To get a taste, do a Google Books search for "photography" in the 19th century. This will return some scanned and digitized annual collections of these journals. Of course, you can also choose later dates, but I think it's interesting to go back... basically to the beginning. Browse through though those, and you will see that the more things change, the more they stay the same!



      For a quick sample, here's the index o The American Annual of Photography, 1887:




      • Abnormal Chloride of Silver.

      • A Cry for Simplicity.


      • Alum in the Hypo Bath.


      • "Amateurs," "Professionals," or "Photographers."

      • Argentometer for Controlling Silver Baths.

      • A Talk to Beginners.

      • The Origin of Blisters in Albumen Prints

      • About Bromide Paper

      • A Home-made Tourist Camera and a New Tripod-head

      • Carbonate of Soda Development for Platinotypes.

      • Collodion Emulsion.

      • Colored Screens in Out-door Photography.

      • Composition in Landscape Photography.

      • _ A Convenient Carrying-box._

      • A Copying and Enlarging Closet.

      • Dark-rooms.

      • Dark-rooms for Photographic Clubs.

      • The Detective Camera for Newspaper Photography.

      • Detective Cameras.

      • The "Detective" for Artists.

      • A Convenient Developer for Travelers.

      • A New Developer


      • A New Developer (Second article)

      • Does it Pay?

      • Durable Sensitized Albumen Paper.

      • Drying Negatives Quickly.

      • Enlarging and Reducing with Ordinary Camera.

      • The "Equivalent Focus" Not a Constant.

      • Figure, Landscape, and Combination Printing.

      • Focal Adjustment in Detective Cameras.

      • Focusing.

      • Frills and Blisters.

      • Genre Photography.

      • Heliogravure and Galvanography.

      • High or Low Art.

      • Hypo in the Developer.

      • A Method of Ink Transfer.

      • Iodide of Silver in Gelatino-bromide of Silver Emulsion.

      • "It's no Jist Ready Yet."

      • Japanese Paper for Photographers.

      • Lantern Slides and Transparencies.

      • Large Telescopes for Celestial Photography.

      • Magnesium Light Experiments.

      • Marine Shots.

      • Memoranda from My Reading and Practice.

      • Mixing an Emulsion with Ammonia.

      • Mounting Silver Prints in Optical Contact with Glass, and Ornamental Borders.

      • Musings by the Way.


      • My Dark-room Window.

      • "My" Developer.

      • Objectives for Photo-micrography.

      • Observations.

      • Odds and Ends.

      • Old Friend, Keep Young.

      • On the Character of Optical Glass.

      • On the So-called Optical Sensitizers.

      • Orthochromatic Photography of Paintings.

      • Orthochromatic Plates, Experiments with.

      • Over-Exposure and the Means to Correct It.

      • Photo-copper-plate Printing and Steel-facing of Etched Copper-plates.

      • Photographic Chips.

      • Photographing in Japan.

      • Photographing in the Arctic.

      • Photographing Machinery.

      • Photography by Lamplight.

      • Photography in the Navy.

      • On the Photography of Solar Eclipses.

      • A Simple Arrangement for the Production of Photo-micrographs.

      • Portraits in Imitation of Old Paintings.

      • Practical Hints on Obernetter's Method of Copying Negatives.

      • Preparation of Photographic Gun-cotton, On the.

      • Printing, Suggestions on.

      • Reproducing Architectural Drawings.

      • Results.

      • Retouching Gelatine Negatives with Red Chalk and Black Crayon.

      • [Editor's] Review of the Year.

      • Reversing the Print.


      • Silver Printing.—An Amateur's Experience.

      • An Amateur's Routine of Silver Printing.

      • A Simple Time and Instantaneous Shutter.

      • Some Thoughts of an Amateur.

      • A Home-made Stereopticon Outfit

      • Stereoscooic Pictures.

      • Tannin Plates for Lantern Slides.

      • Temporary Binding for Photographic Journals.

      • Theatre Photography by Electric Light.

      • The Elimination of Heat from Condensed Light.

      • The Lightning Photographer: A Sketch of the Future.

      • The Undeveloped Side of Photography.

      • Why Study Art?


      I do kind of have to question your premise, though. I don't think sensors are an overriding obsession — on this site, we get at least as much worry about lenses and other gear too. Just like the above. There really wasn't one main thing then, just as there isn't now. That's actually part of the fun and appeal of the hobby — there are obsessions available for everyone, from deeply technical to highly philosophical.






      share|improve this answer























      • Awesome resources! That's so interesting. It seems like there was a lot more interest in process. As far as sensors go, I've not seen it here, just on other sites it seems like that is a big concern for a lot of people. It was just an example of something I thought would be a good comparison.
        – tmwaddel
        Nov 21 at 22:40








      • 2




        @pipe I give a general list and then a sample of the kind of things photographers were "blogging" about 150 years ago. Shrug!
        – mattdm
        Nov 22 at 13:28










      • @pipe I added a concluding sentence spelling out my point. Does that help?
        – mattdm
        Nov 22 at 19:16










      • @mattdm Yep, it does
        – pipe
        Nov 22 at 19:47















      up vote
      12
      down vote













      Oh, goodness — everything. Film, camera, lenses, lighting, style, fashions and trends, whether or not photography is art, everything we see today. But the "forums" were... more literal forums — people getting together in person to discuss in photography and camera clubs. And, instead of the blogosphere of today, so many periodicals. To get a taste, do a Google Books search for "photography" in the 19th century. This will return some scanned and digitized annual collections of these journals. Of course, you can also choose later dates, but I think it's interesting to go back... basically to the beginning. Browse through though those, and you will see that the more things change, the more they stay the same!



      For a quick sample, here's the index o The American Annual of Photography, 1887:




      • Abnormal Chloride of Silver.

      • A Cry for Simplicity.


      • Alum in the Hypo Bath.


      • "Amateurs," "Professionals," or "Photographers."

      • Argentometer for Controlling Silver Baths.

      • A Talk to Beginners.

      • The Origin of Blisters in Albumen Prints

      • About Bromide Paper

      • A Home-made Tourist Camera and a New Tripod-head

      • Carbonate of Soda Development for Platinotypes.

      • Collodion Emulsion.

      • Colored Screens in Out-door Photography.

      • Composition in Landscape Photography.

      • _ A Convenient Carrying-box._

      • A Copying and Enlarging Closet.

      • Dark-rooms.

      • Dark-rooms for Photographic Clubs.

      • The Detective Camera for Newspaper Photography.

      • Detective Cameras.

      • The "Detective" for Artists.

      • A Convenient Developer for Travelers.

      • A New Developer


      • A New Developer (Second article)

      • Does it Pay?

      • Durable Sensitized Albumen Paper.

      • Drying Negatives Quickly.

      • Enlarging and Reducing with Ordinary Camera.

      • The "Equivalent Focus" Not a Constant.

      • Figure, Landscape, and Combination Printing.

      • Focal Adjustment in Detective Cameras.

      • Focusing.

      • Frills and Blisters.

      • Genre Photography.

      • Heliogravure and Galvanography.

      • High or Low Art.

      • Hypo in the Developer.

      • A Method of Ink Transfer.

      • Iodide of Silver in Gelatino-bromide of Silver Emulsion.

      • "It's no Jist Ready Yet."

      • Japanese Paper for Photographers.

      • Lantern Slides and Transparencies.

      • Large Telescopes for Celestial Photography.

      • Magnesium Light Experiments.

      • Marine Shots.

      • Memoranda from My Reading and Practice.

      • Mixing an Emulsion with Ammonia.

      • Mounting Silver Prints in Optical Contact with Glass, and Ornamental Borders.

      • Musings by the Way.


      • My Dark-room Window.

      • "My" Developer.

      • Objectives for Photo-micrography.

      • Observations.

      • Odds and Ends.

      • Old Friend, Keep Young.

      • On the Character of Optical Glass.

      • On the So-called Optical Sensitizers.

      • Orthochromatic Photography of Paintings.

      • Orthochromatic Plates, Experiments with.

      • Over-Exposure and the Means to Correct It.

      • Photo-copper-plate Printing and Steel-facing of Etched Copper-plates.

      • Photographic Chips.

      • Photographing in Japan.

      • Photographing in the Arctic.

      • Photographing Machinery.

      • Photography by Lamplight.

      • Photography in the Navy.

      • On the Photography of Solar Eclipses.

      • A Simple Arrangement for the Production of Photo-micrographs.

      • Portraits in Imitation of Old Paintings.

      • Practical Hints on Obernetter's Method of Copying Negatives.

      • Preparation of Photographic Gun-cotton, On the.

      • Printing, Suggestions on.

      • Reproducing Architectural Drawings.

      • Results.

      • Retouching Gelatine Negatives with Red Chalk and Black Crayon.

      • [Editor's] Review of the Year.

      • Reversing the Print.


      • Silver Printing.—An Amateur's Experience.

      • An Amateur's Routine of Silver Printing.

      • A Simple Time and Instantaneous Shutter.

      • Some Thoughts of an Amateur.

      • A Home-made Stereopticon Outfit

      • Stereoscooic Pictures.

      • Tannin Plates for Lantern Slides.

      • Temporary Binding for Photographic Journals.

      • Theatre Photography by Electric Light.

      • The Elimination of Heat from Condensed Light.

      • The Lightning Photographer: A Sketch of the Future.

      • The Undeveloped Side of Photography.

      • Why Study Art?


      I do kind of have to question your premise, though. I don't think sensors are an overriding obsession — on this site, we get at least as much worry about lenses and other gear too. Just like the above. There really wasn't one main thing then, just as there isn't now. That's actually part of the fun and appeal of the hobby — there are obsessions available for everyone, from deeply technical to highly philosophical.






      share|improve this answer























      • Awesome resources! That's so interesting. It seems like there was a lot more interest in process. As far as sensors go, I've not seen it here, just on other sites it seems like that is a big concern for a lot of people. It was just an example of something I thought would be a good comparison.
        – tmwaddel
        Nov 21 at 22:40








      • 2




        @pipe I give a general list and then a sample of the kind of things photographers were "blogging" about 150 years ago. Shrug!
        – mattdm
        Nov 22 at 13:28










      • @pipe I added a concluding sentence spelling out my point. Does that help?
        – mattdm
        Nov 22 at 19:16










      • @mattdm Yep, it does
        – pipe
        Nov 22 at 19:47













      up vote
      12
      down vote










      up vote
      12
      down vote









      Oh, goodness — everything. Film, camera, lenses, lighting, style, fashions and trends, whether or not photography is art, everything we see today. But the "forums" were... more literal forums — people getting together in person to discuss in photography and camera clubs. And, instead of the blogosphere of today, so many periodicals. To get a taste, do a Google Books search for "photography" in the 19th century. This will return some scanned and digitized annual collections of these journals. Of course, you can also choose later dates, but I think it's interesting to go back... basically to the beginning. Browse through though those, and you will see that the more things change, the more they stay the same!



      For a quick sample, here's the index o The American Annual of Photography, 1887:




      • Abnormal Chloride of Silver.

      • A Cry for Simplicity.


      • Alum in the Hypo Bath.


      • "Amateurs," "Professionals," or "Photographers."

      • Argentometer for Controlling Silver Baths.

      • A Talk to Beginners.

      • The Origin of Blisters in Albumen Prints

      • About Bromide Paper

      • A Home-made Tourist Camera and a New Tripod-head

      • Carbonate of Soda Development for Platinotypes.

      • Collodion Emulsion.

      • Colored Screens in Out-door Photography.

      • Composition in Landscape Photography.

      • _ A Convenient Carrying-box._

      • A Copying and Enlarging Closet.

      • Dark-rooms.

      • Dark-rooms for Photographic Clubs.

      • The Detective Camera for Newspaper Photography.

      • Detective Cameras.

      • The "Detective" for Artists.

      • A Convenient Developer for Travelers.

      • A New Developer


      • A New Developer (Second article)

      • Does it Pay?

      • Durable Sensitized Albumen Paper.

      • Drying Negatives Quickly.

      • Enlarging and Reducing with Ordinary Camera.

      • The "Equivalent Focus" Not a Constant.

      • Figure, Landscape, and Combination Printing.

      • Focal Adjustment in Detective Cameras.

      • Focusing.

      • Frills and Blisters.

      • Genre Photography.

      • Heliogravure and Galvanography.

      • High or Low Art.

      • Hypo in the Developer.

      • A Method of Ink Transfer.

      • Iodide of Silver in Gelatino-bromide of Silver Emulsion.

      • "It's no Jist Ready Yet."

      • Japanese Paper for Photographers.

      • Lantern Slides and Transparencies.

      • Large Telescopes for Celestial Photography.

      • Magnesium Light Experiments.

      • Marine Shots.

      • Memoranda from My Reading and Practice.

      • Mixing an Emulsion with Ammonia.

      • Mounting Silver Prints in Optical Contact with Glass, and Ornamental Borders.

      • Musings by the Way.


      • My Dark-room Window.

      • "My" Developer.

      • Objectives for Photo-micrography.

      • Observations.

      • Odds and Ends.

      • Old Friend, Keep Young.

      • On the Character of Optical Glass.

      • On the So-called Optical Sensitizers.

      • Orthochromatic Photography of Paintings.

      • Orthochromatic Plates, Experiments with.

      • Over-Exposure and the Means to Correct It.

      • Photo-copper-plate Printing and Steel-facing of Etched Copper-plates.

      • Photographic Chips.

      • Photographing in Japan.

      • Photographing in the Arctic.

      • Photographing Machinery.

      • Photography by Lamplight.

      • Photography in the Navy.

      • On the Photography of Solar Eclipses.

      • A Simple Arrangement for the Production of Photo-micrographs.

      • Portraits in Imitation of Old Paintings.

      • Practical Hints on Obernetter's Method of Copying Negatives.

      • Preparation of Photographic Gun-cotton, On the.

      • Printing, Suggestions on.

      • Reproducing Architectural Drawings.

      • Results.

      • Retouching Gelatine Negatives with Red Chalk and Black Crayon.

      • [Editor's] Review of the Year.

      • Reversing the Print.


      • Silver Printing.—An Amateur's Experience.

      • An Amateur's Routine of Silver Printing.

      • A Simple Time and Instantaneous Shutter.

      • Some Thoughts of an Amateur.

      • A Home-made Stereopticon Outfit

      • Stereoscooic Pictures.

      • Tannin Plates for Lantern Slides.

      • Temporary Binding for Photographic Journals.

      • Theatre Photography by Electric Light.

      • The Elimination of Heat from Condensed Light.

      • The Lightning Photographer: A Sketch of the Future.

      • The Undeveloped Side of Photography.

      • Why Study Art?


      I do kind of have to question your premise, though. I don't think sensors are an overriding obsession — on this site, we get at least as much worry about lenses and other gear too. Just like the above. There really wasn't one main thing then, just as there isn't now. That's actually part of the fun and appeal of the hobby — there are obsessions available for everyone, from deeply technical to highly philosophical.






      share|improve this answer














      Oh, goodness — everything. Film, camera, lenses, lighting, style, fashions and trends, whether or not photography is art, everything we see today. But the "forums" were... more literal forums — people getting together in person to discuss in photography and camera clubs. And, instead of the blogosphere of today, so many periodicals. To get a taste, do a Google Books search for "photography" in the 19th century. This will return some scanned and digitized annual collections of these journals. Of course, you can also choose later dates, but I think it's interesting to go back... basically to the beginning. Browse through though those, and you will see that the more things change, the more they stay the same!



      For a quick sample, here's the index o The American Annual of Photography, 1887:




      • Abnormal Chloride of Silver.

      • A Cry for Simplicity.


      • Alum in the Hypo Bath.


      • "Amateurs," "Professionals," or "Photographers."

      • Argentometer for Controlling Silver Baths.

      • A Talk to Beginners.

      • The Origin of Blisters in Albumen Prints

      • About Bromide Paper

      • A Home-made Tourist Camera and a New Tripod-head

      • Carbonate of Soda Development for Platinotypes.

      • Collodion Emulsion.

      • Colored Screens in Out-door Photography.

      • Composition in Landscape Photography.

      • _ A Convenient Carrying-box._

      • A Copying and Enlarging Closet.

      • Dark-rooms.

      • Dark-rooms for Photographic Clubs.

      • The Detective Camera for Newspaper Photography.

      • Detective Cameras.

      • The "Detective" for Artists.

      • A Convenient Developer for Travelers.

      • A New Developer


      • A New Developer (Second article)

      • Does it Pay?

      • Durable Sensitized Albumen Paper.

      • Drying Negatives Quickly.

      • Enlarging and Reducing with Ordinary Camera.

      • The "Equivalent Focus" Not a Constant.

      • Figure, Landscape, and Combination Printing.

      • Focal Adjustment in Detective Cameras.

      • Focusing.

      • Frills and Blisters.

      • Genre Photography.

      • Heliogravure and Galvanography.

      • High or Low Art.

      • Hypo in the Developer.

      • A Method of Ink Transfer.

      • Iodide of Silver in Gelatino-bromide of Silver Emulsion.

      • "It's no Jist Ready Yet."

      • Japanese Paper for Photographers.

      • Lantern Slides and Transparencies.

      • Large Telescopes for Celestial Photography.

      • Magnesium Light Experiments.

      • Marine Shots.

      • Memoranda from My Reading and Practice.

      • Mixing an Emulsion with Ammonia.

      • Mounting Silver Prints in Optical Contact with Glass, and Ornamental Borders.

      • Musings by the Way.


      • My Dark-room Window.

      • "My" Developer.

      • Objectives for Photo-micrography.

      • Observations.

      • Odds and Ends.

      • Old Friend, Keep Young.

      • On the Character of Optical Glass.

      • On the So-called Optical Sensitizers.

      • Orthochromatic Photography of Paintings.

      • Orthochromatic Plates, Experiments with.

      • Over-Exposure and the Means to Correct It.

      • Photo-copper-plate Printing and Steel-facing of Etched Copper-plates.

      • Photographic Chips.

      • Photographing in Japan.

      • Photographing in the Arctic.

      • Photographing Machinery.

      • Photography by Lamplight.

      • Photography in the Navy.

      • On the Photography of Solar Eclipses.

      • A Simple Arrangement for the Production of Photo-micrographs.

      • Portraits in Imitation of Old Paintings.

      • Practical Hints on Obernetter's Method of Copying Negatives.

      • Preparation of Photographic Gun-cotton, On the.

      • Printing, Suggestions on.

      • Reproducing Architectural Drawings.

      • Results.

      • Retouching Gelatine Negatives with Red Chalk and Black Crayon.

      • [Editor's] Review of the Year.

      • Reversing the Print.


      • Silver Printing.—An Amateur's Experience.

      • An Amateur's Routine of Silver Printing.

      • A Simple Time and Instantaneous Shutter.

      • Some Thoughts of an Amateur.

      • A Home-made Stereopticon Outfit

      • Stereoscooic Pictures.

      • Tannin Plates for Lantern Slides.

      • Temporary Binding for Photographic Journals.

      • Theatre Photography by Electric Light.

      • The Elimination of Heat from Condensed Light.

      • The Lightning Photographer: A Sketch of the Future.

      • The Undeveloped Side of Photography.

      • Why Study Art?


      I do kind of have to question your premise, though. I don't think sensors are an overriding obsession — on this site, we get at least as much worry about lenses and other gear too. Just like the above. There really wasn't one main thing then, just as there isn't now. That's actually part of the fun and appeal of the hobby — there are obsessions available for everyone, from deeply technical to highly philosophical.







      share|improve this answer














      share|improve this answer



      share|improve this answer








      edited Nov 23 at 18:52

























      answered Nov 21 at 22:24









      mattdm

      118k38345637




      118k38345637












      • Awesome resources! That's so interesting. It seems like there was a lot more interest in process. As far as sensors go, I've not seen it here, just on other sites it seems like that is a big concern for a lot of people. It was just an example of something I thought would be a good comparison.
        – tmwaddel
        Nov 21 at 22:40








      • 2




        @pipe I give a general list and then a sample of the kind of things photographers were "blogging" about 150 years ago. Shrug!
        – mattdm
        Nov 22 at 13:28










      • @pipe I added a concluding sentence spelling out my point. Does that help?
        – mattdm
        Nov 22 at 19:16










      • @mattdm Yep, it does
        – pipe
        Nov 22 at 19:47


















      • Awesome resources! That's so interesting. It seems like there was a lot more interest in process. As far as sensors go, I've not seen it here, just on other sites it seems like that is a big concern for a lot of people. It was just an example of something I thought would be a good comparison.
        – tmwaddel
        Nov 21 at 22:40








      • 2




        @pipe I give a general list and then a sample of the kind of things photographers were "blogging" about 150 years ago. Shrug!
        – mattdm
        Nov 22 at 13:28










      • @pipe I added a concluding sentence spelling out my point. Does that help?
        – mattdm
        Nov 22 at 19:16










      • @mattdm Yep, it does
        – pipe
        Nov 22 at 19:47
















      Awesome resources! That's so interesting. It seems like there was a lot more interest in process. As far as sensors go, I've not seen it here, just on other sites it seems like that is a big concern for a lot of people. It was just an example of something I thought would be a good comparison.
      – tmwaddel
      Nov 21 at 22:40






      Awesome resources! That's so interesting. It seems like there was a lot more interest in process. As far as sensors go, I've not seen it here, just on other sites it seems like that is a big concern for a lot of people. It was just an example of something I thought would be a good comparison.
      – tmwaddel
      Nov 21 at 22:40






      2




      2




      @pipe I give a general list and then a sample of the kind of things photographers were "blogging" about 150 years ago. Shrug!
      – mattdm
      Nov 22 at 13:28




      @pipe I give a general list and then a sample of the kind of things photographers were "blogging" about 150 years ago. Shrug!
      – mattdm
      Nov 22 at 13:28












      @pipe I added a concluding sentence spelling out my point. Does that help?
      – mattdm
      Nov 22 at 19:16




      @pipe I added a concluding sentence spelling out my point. Does that help?
      – mattdm
      Nov 22 at 19:16












      @mattdm Yep, it does
      – pipe
      Nov 22 at 19:47




      @mattdm Yep, it does
      – pipe
      Nov 22 at 19:47












      up vote
      8
      down vote













      Simple. Film shooter obsessed over...wait for it...film.



      How different emulsions captured the same scene, which could be push or pulled, which reacted well to stand development and how each reacted to a different developer. Darkroom techniques. These types of questions are still a hot topic on film discussion sites.



      With film, the camera is quite literally just a tool to get the light to the medium. A lot of work takes place after that capture. The same can't really be said about digital because you do marry a sensor and it's behind the scenes technology.






      share|improve this answer





















      • That makes perfect sense. I had very little time in the darkroom when I first started photography. I'd guess that people spend many hours developing a process that meets their own artistic style.
        – tmwaddel
        Nov 22 at 0:13










      • @tmwaddel hours? Maybe weeks or months for those that find something and stick with it. But for the experimental types, try a lifetime. I've shot a ton of black and white in 35mm, pushed and pulled it and played with developers. Moving to 120 was like starting completely over. Same with 4x5. Combinations I had previously disliked are now par for the course, so to speak.
        – Hueco
        Nov 22 at 19:48















      up vote
      8
      down vote













      Simple. Film shooter obsessed over...wait for it...film.



      How different emulsions captured the same scene, which could be push or pulled, which reacted well to stand development and how each reacted to a different developer. Darkroom techniques. These types of questions are still a hot topic on film discussion sites.



      With film, the camera is quite literally just a tool to get the light to the medium. A lot of work takes place after that capture. The same can't really be said about digital because you do marry a sensor and it's behind the scenes technology.






      share|improve this answer





















      • That makes perfect sense. I had very little time in the darkroom when I first started photography. I'd guess that people spend many hours developing a process that meets their own artistic style.
        – tmwaddel
        Nov 22 at 0:13










      • @tmwaddel hours? Maybe weeks or months for those that find something and stick with it. But for the experimental types, try a lifetime. I've shot a ton of black and white in 35mm, pushed and pulled it and played with developers. Moving to 120 was like starting completely over. Same with 4x5. Combinations I had previously disliked are now par for the course, so to speak.
        – Hueco
        Nov 22 at 19:48













      up vote
      8
      down vote










      up vote
      8
      down vote









      Simple. Film shooter obsessed over...wait for it...film.



      How different emulsions captured the same scene, which could be push or pulled, which reacted well to stand development and how each reacted to a different developer. Darkroom techniques. These types of questions are still a hot topic on film discussion sites.



      With film, the camera is quite literally just a tool to get the light to the medium. A lot of work takes place after that capture. The same can't really be said about digital because you do marry a sensor and it's behind the scenes technology.






      share|improve this answer












      Simple. Film shooter obsessed over...wait for it...film.



      How different emulsions captured the same scene, which could be push or pulled, which reacted well to stand development and how each reacted to a different developer. Darkroom techniques. These types of questions are still a hot topic on film discussion sites.



      With film, the camera is quite literally just a tool to get the light to the medium. A lot of work takes place after that capture. The same can't really be said about digital because you do marry a sensor and it's behind the scenes technology.







      share|improve this answer












      share|improve this answer



      share|improve this answer










      answered Nov 21 at 23:49









      Hueco

      10k32547




      10k32547












      • That makes perfect sense. I had very little time in the darkroom when I first started photography. I'd guess that people spend many hours developing a process that meets their own artistic style.
        – tmwaddel
        Nov 22 at 0:13










      • @tmwaddel hours? Maybe weeks or months for those that find something and stick with it. But for the experimental types, try a lifetime. I've shot a ton of black and white in 35mm, pushed and pulled it and played with developers. Moving to 120 was like starting completely over. Same with 4x5. Combinations I had previously disliked are now par for the course, so to speak.
        – Hueco
        Nov 22 at 19:48


















      • That makes perfect sense. I had very little time in the darkroom when I first started photography. I'd guess that people spend many hours developing a process that meets their own artistic style.
        – tmwaddel
        Nov 22 at 0:13










      • @tmwaddel hours? Maybe weeks or months for those that find something and stick with it. But for the experimental types, try a lifetime. I've shot a ton of black and white in 35mm, pushed and pulled it and played with developers. Moving to 120 was like starting completely over. Same with 4x5. Combinations I had previously disliked are now par for the course, so to speak.
        – Hueco
        Nov 22 at 19:48
















      That makes perfect sense. I had very little time in the darkroom when I first started photography. I'd guess that people spend many hours developing a process that meets their own artistic style.
      – tmwaddel
      Nov 22 at 0:13




      That makes perfect sense. I had very little time in the darkroom when I first started photography. I'd guess that people spend many hours developing a process that meets their own artistic style.
      – tmwaddel
      Nov 22 at 0:13












      @tmwaddel hours? Maybe weeks or months for those that find something and stick with it. But for the experimental types, try a lifetime. I've shot a ton of black and white in 35mm, pushed and pulled it and played with developers. Moving to 120 was like starting completely over. Same with 4x5. Combinations I had previously disliked are now par for the course, so to speak.
      – Hueco
      Nov 22 at 19:48




      @tmwaddel hours? Maybe weeks or months for those that find something and stick with it. But for the experimental types, try a lifetime. I've shot a ton of black and white in 35mm, pushed and pulled it and played with developers. Moving to 120 was like starting completely over. Same with 4x5. Combinations I had previously disliked are now par for the course, so to speak.
      – Hueco
      Nov 22 at 19:48










      up vote
      5
      down vote













      Online forums (even Web-based, and before that BBS/FIDO/Usenet) were already well developed before mass acceptance of digital photography.



      From the memory, popular subjects included:




      • lens: fast/tele/portrait/tilt-and-shift; Canon vs Nikon vs Pentax vs ... That still goes on with little change

      • filters. That also goes on, but in B/W photography filters played a special role, and to get correct white balance you also had to use a filter

      • film: B/W vs negative color film vs transparency color films. Color representation (mostly for transparency: vivid vs truthful colours), best grain shape (mostly B/W), sensitivity vs quality...

      • film size. Just as in digital we have full-frame and cropped, in film there are traditional 35 mm, medium format, large format, and a few sub-35 mm formats

      • general body quality. Ease of use, robustness, dust protection.

      • various features. Autofocus modes, exposure measurement: single-spot, full frame, weighted, smart... Top shutter speed and continuous shooting were more complicated than in digital photography, so they were also subjects of debates

      • camera types. Most professionals used SLRs, but rangefinders (e.g. Leica) were preferred by some, and there were more exotic types, like TLR, stereo cameras, etc.

      • film processing and printing: both at labs and at home

      • Canon vs Nikon vs Pentax vs Minolta, obviously

      • exotic stuff like pinhole photography, Lomography, IR

      • why digital cameras will never replace film.


      Oh, and any instance of "was/were" above may safely be translated to "is/are", just in much lower numbers :)






      share|improve this answer








      New contributor




      IMil is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
      Check out our Code of Conduct.


















      • so... same as it ever was, basically? =)
        – scottbb
        Nov 22 at 3:50










      • Oh yes, that was a very common one! Digital vs film.
        – osullic
        Nov 22 at 9:48















      up vote
      5
      down vote













      Online forums (even Web-based, and before that BBS/FIDO/Usenet) were already well developed before mass acceptance of digital photography.



      From the memory, popular subjects included:




      • lens: fast/tele/portrait/tilt-and-shift; Canon vs Nikon vs Pentax vs ... That still goes on with little change

      • filters. That also goes on, but in B/W photography filters played a special role, and to get correct white balance you also had to use a filter

      • film: B/W vs negative color film vs transparency color films. Color representation (mostly for transparency: vivid vs truthful colours), best grain shape (mostly B/W), sensitivity vs quality...

      • film size. Just as in digital we have full-frame and cropped, in film there are traditional 35 mm, medium format, large format, and a few sub-35 mm formats

      • general body quality. Ease of use, robustness, dust protection.

      • various features. Autofocus modes, exposure measurement: single-spot, full frame, weighted, smart... Top shutter speed and continuous shooting were more complicated than in digital photography, so they were also subjects of debates

      • camera types. Most professionals used SLRs, but rangefinders (e.g. Leica) were preferred by some, and there were more exotic types, like TLR, stereo cameras, etc.

      • film processing and printing: both at labs and at home

      • Canon vs Nikon vs Pentax vs Minolta, obviously

      • exotic stuff like pinhole photography, Lomography, IR

      • why digital cameras will never replace film.


      Oh, and any instance of "was/were" above may safely be translated to "is/are", just in much lower numbers :)






      share|improve this answer








      New contributor




      IMil is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
      Check out our Code of Conduct.


















      • so... same as it ever was, basically? =)
        – scottbb
        Nov 22 at 3:50










      • Oh yes, that was a very common one! Digital vs film.
        – osullic
        Nov 22 at 9:48













      up vote
      5
      down vote










      up vote
      5
      down vote









      Online forums (even Web-based, and before that BBS/FIDO/Usenet) were already well developed before mass acceptance of digital photography.



      From the memory, popular subjects included:




      • lens: fast/tele/portrait/tilt-and-shift; Canon vs Nikon vs Pentax vs ... That still goes on with little change

      • filters. That also goes on, but in B/W photography filters played a special role, and to get correct white balance you also had to use a filter

      • film: B/W vs negative color film vs transparency color films. Color representation (mostly for transparency: vivid vs truthful colours), best grain shape (mostly B/W), sensitivity vs quality...

      • film size. Just as in digital we have full-frame and cropped, in film there are traditional 35 mm, medium format, large format, and a few sub-35 mm formats

      • general body quality. Ease of use, robustness, dust protection.

      • various features. Autofocus modes, exposure measurement: single-spot, full frame, weighted, smart... Top shutter speed and continuous shooting were more complicated than in digital photography, so they were also subjects of debates

      • camera types. Most professionals used SLRs, but rangefinders (e.g. Leica) were preferred by some, and there were more exotic types, like TLR, stereo cameras, etc.

      • film processing and printing: both at labs and at home

      • Canon vs Nikon vs Pentax vs Minolta, obviously

      • exotic stuff like pinhole photography, Lomography, IR

      • why digital cameras will never replace film.


      Oh, and any instance of "was/were" above may safely be translated to "is/are", just in much lower numbers :)






      share|improve this answer








      New contributor




      IMil is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
      Check out our Code of Conduct.









      Online forums (even Web-based, and before that BBS/FIDO/Usenet) were already well developed before mass acceptance of digital photography.



      From the memory, popular subjects included:




      • lens: fast/tele/portrait/tilt-and-shift; Canon vs Nikon vs Pentax vs ... That still goes on with little change

      • filters. That also goes on, but in B/W photography filters played a special role, and to get correct white balance you also had to use a filter

      • film: B/W vs negative color film vs transparency color films. Color representation (mostly for transparency: vivid vs truthful colours), best grain shape (mostly B/W), sensitivity vs quality...

      • film size. Just as in digital we have full-frame and cropped, in film there are traditional 35 mm, medium format, large format, and a few sub-35 mm formats

      • general body quality. Ease of use, robustness, dust protection.

      • various features. Autofocus modes, exposure measurement: single-spot, full frame, weighted, smart... Top shutter speed and continuous shooting were more complicated than in digital photography, so they were also subjects of debates

      • camera types. Most professionals used SLRs, but rangefinders (e.g. Leica) were preferred by some, and there were more exotic types, like TLR, stereo cameras, etc.

      • film processing and printing: both at labs and at home

      • Canon vs Nikon vs Pentax vs Minolta, obviously

      • exotic stuff like pinhole photography, Lomography, IR

      • why digital cameras will never replace film.


      Oh, and any instance of "was/were" above may safely be translated to "is/are", just in much lower numbers :)







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      answered Nov 22 at 3:43









      IMil

      1512




      1512




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      • so... same as it ever was, basically? =)
        – scottbb
        Nov 22 at 3:50










      • Oh yes, that was a very common one! Digital vs film.
        – osullic
        Nov 22 at 9:48


















      • so... same as it ever was, basically? =)
        – scottbb
        Nov 22 at 3:50










      • Oh yes, that was a very common one! Digital vs film.
        – osullic
        Nov 22 at 9:48
















      so... same as it ever was, basically? =)
      – scottbb
      Nov 22 at 3:50




      so... same as it ever was, basically? =)
      – scottbb
      Nov 22 at 3:50












      Oh yes, that was a very common one! Digital vs film.
      – osullic
      Nov 22 at 9:48




      Oh yes, that was a very common one! Digital vs film.
      – osullic
      Nov 22 at 9:48










      up vote
      0
      down vote













      Google Groups has a searchable Usenet archive going back to 1995, so you can see what people were talking about in rec.photo.equipment on Nov. 23, 1995. It's largely the same list of things that people ask about today: cameras, lenses, filters, troubleshooting, etc.






      share|improve this answer

























        up vote
        0
        down vote













        Google Groups has a searchable Usenet archive going back to 1995, so you can see what people were talking about in rec.photo.equipment on Nov. 23, 1995. It's largely the same list of things that people ask about today: cameras, lenses, filters, troubleshooting, etc.






        share|improve this answer























          up vote
          0
          down vote










          up vote
          0
          down vote









          Google Groups has a searchable Usenet archive going back to 1995, so you can see what people were talking about in rec.photo.equipment on Nov. 23, 1995. It's largely the same list of things that people ask about today: cameras, lenses, filters, troubleshooting, etc.






          share|improve this answer












          Google Groups has a searchable Usenet archive going back to 1995, so you can see what people were talking about in rec.photo.equipment on Nov. 23, 1995. It's largely the same list of things that people ask about today: cameras, lenses, filters, troubleshooting, etc.







          share|improve this answer












          share|improve this answer



          share|improve this answer










          answered Nov 23 at 16:56









          Caleb

          28.5k551105




          28.5k551105






















              up vote
              0
              down vote













              Pretty much all of it (the equipment, that is.) As it is today, anything to avoid having to think about composition or seeing and shaping light.






              share|improve this answer

























                up vote
                0
                down vote













                Pretty much all of it (the equipment, that is.) As it is today, anything to avoid having to think about composition or seeing and shaping light.






                share|improve this answer























                  up vote
                  0
                  down vote










                  up vote
                  0
                  down vote









                  Pretty much all of it (the equipment, that is.) As it is today, anything to avoid having to think about composition or seeing and shaping light.






                  share|improve this answer












                  Pretty much all of it (the equipment, that is.) As it is today, anything to avoid having to think about composition or seeing and shaping light.







                  share|improve this answer












                  share|improve this answer



                  share|improve this answer










                  answered 2 days ago









                  Michael Clark

                  126k7142355




                  126k7142355






























                       

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