Which notation is better: using a second voice or tied notes?
up vote
4
down vote
favorite
Are both versions correct and if so, which one would you prefer to read for the piano?
The first version is with a second voice to avoid unnecessary ties, the second version is only with one voice. I prefer the first version, but is it common to use a second voice for the piano or should you always go with the second version?
notation
New contributor
add a comment |
up vote
4
down vote
favorite
Are both versions correct and if so, which one would you prefer to read for the piano?
The first version is with a second voice to avoid unnecessary ties, the second version is only with one voice. I prefer the first version, but is it common to use a second voice for the piano or should you always go with the second version?
notation
New contributor
add a comment |
up vote
4
down vote
favorite
up vote
4
down vote
favorite
Are both versions correct and if so, which one would you prefer to read for the piano?
The first version is with a second voice to avoid unnecessary ties, the second version is only with one voice. I prefer the first version, but is it common to use a second voice for the piano or should you always go with the second version?
notation
New contributor
Are both versions correct and if so, which one would you prefer to read for the piano?
The first version is with a second voice to avoid unnecessary ties, the second version is only with one voice. I prefer the first version, but is it common to use a second voice for the piano or should you always go with the second version?
notation
notation
New contributor
New contributor
edited 1 hour ago
Richard
35.6k677151
35.6k677151
New contributor
asked 6 hours ago
Peter
211
211
New contributor
New contributor
add a comment |
add a comment |
1 Answer
1
active
oldest
votes
up vote
5
down vote
I'd say that the first one is definitely better. In fact, I'm not sure I can think of an instance where I would prefer the second notation (even if it's not really wrong). The first is less cluttered, and it seems to me there's less room for confusion (however momentary) when one is reading it.
Another option would be to have a hybrid: use the first beat of the second notation (where the F/C are notated in the same voice) and then switch to the second beat of the first notation (where the two voices are notated separately).
add a comment |
1 Answer
1
active
oldest
votes
1 Answer
1
active
oldest
votes
active
oldest
votes
active
oldest
votes
up vote
5
down vote
I'd say that the first one is definitely better. In fact, I'm not sure I can think of an instance where I would prefer the second notation (even if it's not really wrong). The first is less cluttered, and it seems to me there's less room for confusion (however momentary) when one is reading it.
Another option would be to have a hybrid: use the first beat of the second notation (where the F/C are notated in the same voice) and then switch to the second beat of the first notation (where the two voices are notated separately).
add a comment |
up vote
5
down vote
I'd say that the first one is definitely better. In fact, I'm not sure I can think of an instance where I would prefer the second notation (even if it's not really wrong). The first is less cluttered, and it seems to me there's less room for confusion (however momentary) when one is reading it.
Another option would be to have a hybrid: use the first beat of the second notation (where the F/C are notated in the same voice) and then switch to the second beat of the first notation (where the two voices are notated separately).
add a comment |
up vote
5
down vote
up vote
5
down vote
I'd say that the first one is definitely better. In fact, I'm not sure I can think of an instance where I would prefer the second notation (even if it's not really wrong). The first is less cluttered, and it seems to me there's less room for confusion (however momentary) when one is reading it.
Another option would be to have a hybrid: use the first beat of the second notation (where the F/C are notated in the same voice) and then switch to the second beat of the first notation (where the two voices are notated separately).
I'd say that the first one is definitely better. In fact, I'm not sure I can think of an instance where I would prefer the second notation (even if it's not really wrong). The first is less cluttered, and it seems to me there's less room for confusion (however momentary) when one is reading it.
Another option would be to have a hybrid: use the first beat of the second notation (where the F/C are notated in the same voice) and then switch to the second beat of the first notation (where the two voices are notated separately).
edited 1 hour ago
answered 5 hours ago
Richard
35.6k677151
35.6k677151
add a comment |
add a comment |
Peter is a new contributor. Be nice, and check out our Code of Conduct.
Peter is a new contributor. Be nice, and check out our Code of Conduct.
Peter is a new contributor. Be nice, and check out our Code of Conduct.
Peter is a new contributor. Be nice, and check out our Code of Conduct.
Thanks for contributing an answer to Music: Practice & Theory Stack Exchange!
- Please be sure to answer the question. Provide details and share your research!
But avoid …
- Asking for help, clarification, or responding to other answers.
- Making statements based on opinion; back them up with references or personal experience.
To learn more, see our tips on writing great answers.
Some of your past answers have not been well-received, and you're in danger of being blocked from answering.
Please pay close attention to the following guidance:
- Please be sure to answer the question. Provide details and share your research!
But avoid …
- Asking for help, clarification, or responding to other answers.
- Making statements based on opinion; back them up with references or personal experience.
To learn more, see our tips on writing great answers.
Sign up or log in
StackExchange.ready(function () {
StackExchange.helpers.onClickDraftSave('#login-link');
});
Sign up using Google
Sign up using Facebook
Sign up using Email and Password
Post as a guest
Required, but never shown
StackExchange.ready(
function () {
StackExchange.openid.initPostLogin('.new-post-login', 'https%3a%2f%2fmusic.stackexchange.com%2fquestions%2f77101%2fwhich-notation-is-better-using-a-second-voice-or-tied-notes%23new-answer', 'question_page');
}
);
Post as a guest
Required, but never shown
Sign up or log in
StackExchange.ready(function () {
StackExchange.helpers.onClickDraftSave('#login-link');
});
Sign up using Google
Sign up using Facebook
Sign up using Email and Password
Post as a guest
Required, but never shown
Sign up or log in
StackExchange.ready(function () {
StackExchange.helpers.onClickDraftSave('#login-link');
});
Sign up using Google
Sign up using Facebook
Sign up using Email and Password
Post as a guest
Required, but never shown
Sign up or log in
StackExchange.ready(function () {
StackExchange.helpers.onClickDraftSave('#login-link');
});
Sign up using Google
Sign up using Facebook
Sign up using Email and Password
Sign up using Google
Sign up using Facebook
Sign up using Email and Password
Post as a guest
Required, but never shown
Required, but never shown
Required, but never shown
Required, but never shown
Required, but never shown
Required, but never shown
Required, but never shown
Required, but never shown
Required, but never shown